It’s important to note that it can import and export to a ton of different formats, so life should be easy when receiving/sending the appropriate files - check all formats below. It’s simple to use regardless of where one comes from, so there shouldn’t be any big hurdles and if any questions comes up the provided documentation should be enough to answer most of them, as it covers all functions and features in satisfactory fashion with clear and concise explanations. Old users will immediately feel like they’re home here, as the interface and menu layout remains the same.
#Magix sound forge pro mac 3 pdf manual software
If there’s little to complain in terms of quality there’s not much to say about new and innovative processing, which is kind of expected given the fact that the software is being relaunched under a new ownership, so it’s best to have it running in stable fashion before getting fancy, which is exactly what Magix did.Įase of use: Most users will feel comfortable, all audio editors take their fair share of time for us to build a workflow but that will come rather fast. Speaking of the latter, I think it’s a great move to bring third-parties on board and the decision to incorporate some tools from iZotope was definitely a good one, so hopefully in the future we can see more developers on board and also some more of Magix’s own plug-ins as well. Sound quality: Nothing to complain here, it’s a bit-transparent audio editor with destructive and non-destructive editing, format conversion (sample and bit rate conversions handled by iZotope 64-bit SRC and MBIT+Dither), good time-stretching/pitch-shifting algorithms (including Zplane élastique) and a decent set of bundled plug-ins with the introduction of the iZotope’s RX and Ozone Elements. The familiar editing environment and Magix Wave Hammer Magix Wave Hammer: A wide-band compressor, maximizer and brickwall limiter that’s very useful not only to pump up the volume but also to iron out wild peaks or even the levels on an unruly program material. Please read our review for further insights. IZotope Ozone Elements: A style/preset-based plug-in for quick mastering, combining EQ, compression, limiting and other mastering tricks in one easy to use tool with only a few controls.
#Magix sound forge pro mac 3 pdf manual series
Last but not least there’s a De-hum module, which is basically a set of high and lowpass filters with a series of notch filters between them and can mitigate material affected by electrical humming, line noise but it can also act as a regular filter/notch-EQ for general purposes. Then we have De-click, which is a flexible module that can handle both short high-frequency clicks and also low-frequency “thumps” as well - it also makes for a good tool for dealing with mouth-related artifacts and pops from bad microphone handling. Second one to note is the De-clip, which can do wonders to audio material hurt by clipping or overloads. First module I’d light to highlight is Vocal De-noise, which is optimized to reduce noise from voice recordings with minimal losses but that can also act as a regular noise reduction tool. IZotope RX Elements: Here we have the famous RX audio editor with spectrogram capabilities and four modules/plug-ins.
Since the new plug-ins from Magix and most notably iZotope are one of the major new feature for this new version, so here goes a quick highlights of some the new processors: Other highlights are batch processing and CD burning: Batch processing is available, allowing for multiple parts of an audio file to be exported as multiple files, and a disc-at-once disk burning feature enables the user to quickly send all open files to a Redbook standard master CD or add markers to a single file to create multiple CD tracks from it.
cut or manipulate sections of the file, while on the second mode you can chop the audio files into different sections and rearrange their order as you can on a DAW. On the first you’ll have the usual destructive editing i.e. Sound Forge basically revolves around two main operation modes: Time mode and Event mode. Before we head any further, let’s start with the fact that Magix kept Sound Forge pretty much the same way it always was, with the same window layout and menu organization, so rest assured, it’s pretty much the same software as it ever was. Version number three brings this trusted and popular audio editor to new Macs, and besides reviving the familiar audio editing environment it adds a few new tools as well. The scope: After three years Sound Forge is back to the Apple Mac platform, now with Magix behind its development after taking over from Sony. Price: $557 (Canadian Dollars - MSRP, $299 intro offer)
0 kommentar(er)
